Andr
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Natalia Kudryashova
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Lera is a sociology student你好 伦敦 at a small-town university. Her mother is a sleepwalker who believes in miracles, and her father just left the family for another woman. Lera has no idea how to make her 神奇宝贝第一部国语版全集life better. And one more thing: a spirit keeps visiting her dreams at night. And the harder Lera's life棋魂国语版 gets, the more often she has these dreams. That is, until the spirit steps into the world of the living.
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马克·罗特蒙德
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杰森十岁，患有自闭症。他保持固定的生活规律，不容许违反。他的父母米尔科和法蒂梅都为此付出努力，但学校却想把杰森转到特殊教育学校。为了避免这种情况，米尔科答应帮儿子找一个喜欢的足球俱乐部。作为回报，杰森答应在学校好好表现……
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杰克·本德
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FROM unravels the mystery of a nightmarish town that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down. In the wake of Season Two’s epic cliffhanger, escape will become a tan看片神器italizing and very real possibility as the true nature of the town comes into focus, and the townspeople go on offense against the myriad horrors surrounding them.
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Jake Hickman
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From war, Japan began to show technological prowess like the world had never seen. After a shocking betrayal, Sony founded that which would become the world's most successful chain of videogame consoles. The PlayStation was here to stay. Production company: Entertain Me Productions Producers: Brian Aabech
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Ryan Kruger
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A group of homeless misfits must fight for survival when they discover a plot to exterminate every homeless person in the city.
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米兰·赫伊洛夫
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Based on the Edgar Award-winning, nine-book “Karl Alberg” series by the late Canadian author L.R. Wright, Murder in a Small Town follows Karl Alberg (Sutherland), who moves to a quiet coastal town to soothe a psyche that has been battered by big-city police w姐姐的朋友5中汉字ork. But this gentle paradise has more than its share of secrets, and Karl will need to call upon 迅雷违规内容破解all the skills that made him a world-class detective in solving the murders that, even in this seemingly idyllic setting, continue to wash up on his shore. Kreuk stars as Cassandra, a local librarian who becomes Alberg’s muse, foil and romantic interest.
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Lucie Guest
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Avery is an unadventurous schoolteacher whose sister secretly signs her up for The Great Holiday Dash, a Christmas-themed reality competition show where she's paired with former hockey player Wes. Despite clashing at first, Avery's puzzle-solving skills and Wes' physical prowess help them excel as they travel from city to city and compete in festive feats that have a local flavor. It's not long before a real connection between these opposites begins to blossom. But when Avery overhears a conversation between Wes and a show producer it threatens to derail their budding romance. Keeping their eyes on the prize, the duo continues to dash to the finish line but there may be a more personal adventure for them still in store.
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。
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瑞安·马查多
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In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.
