Ke
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安德烈亚斯·普罗查斯卡,Lea Becker
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At a prizefight of all places, Ben finds himself face to face with a fas抓狂一族cinating woman named Zelda. And Zelda knocks him down with a single blow. Dazed, he stares into her eyes and believes it’s true love. Zelda is also deeply taken. What our lovers don’t yet know is that they share a dark secret.&l含羞草资源视频t;/p>
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Alix Austin,Keir Siewert
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When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature. He gradually succumbs to the poison of the decaying relationship, becoming a creature with increased aggression, a touch that melts skin and worst of all, he's contagious.
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Chaysen Beacham
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在18岁生日那天,疏远的父亲用一辆复古车向TJ发起挑战,鼓励他进行一次横跨全国的公路旅行。TJ与一些古怪的同伴踏上了这段充满幽默和坚韧的旅程,逐渐意识到,人生中最漫长的道路也可能通向家的方向。
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阿方索·卡隆
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本剧改编自蕾妮·奈特的同名小说。 著名记者Catherin女狼俱乐部下载e Ravenscroft(凯特·布兰切特 Cate Blanchett 饰)因揭露他人的不端行为而声名鹊起。在收到一位不知名作者的小说后,她惊恐地发现自小草在线视频观看己就是书中的主角,而这个故事揭露了自己最黑暗的秘密。 在Catherine争分夺秒揭开作者真实身份的过程中,她不得不直面过去,以免它毁掉自己的生活,毁掉自己与丈夫Ro听书网下载bert(萨莎·拜伦·科恩 Sacha Baron Cohen 饰)、儿子Nicholas(柯蒂·斯密特-麦菲 Kodi Smit-McPhee 饰)的关系。
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阿方索·卡隆
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本剧改编自蕾妮·奈特的同名小说。 著名记者Catherine Ravenscroft(凯特·布兰切特 Cate Blanchett 饰)因揭露他人的不端行为而声名鹊张一山鹿鼎记演员表起。在收到一位不知名作者的小说后,她惊恐地发现自己就是书中的主角,而这个故事揭露了自己最黑暗的秘密。 在Catherine争分夺秒揭开作者真实身份的过程中,她不得不直面过去,以免它毁掉自己的生活,毁掉自己与丈夫Robert(萨莎·拜伦·科恩 Sacha Baron Cohen 饰)、儿男人四十 王志文子Nicholas(柯蒂·斯密特-麦菲 Kodi Smit-McPhee 饰)的关系。
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安东尼·希科克斯
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In a time now lost in the mists of memory, the great King Arthur rules in the legendary citadel that is Camelot. His Knights of the Round Table perform acts of derring-do and spend their spare time jousting, much to the delight of the local citizens and especially to Princess Ilene, a guest at Camelot. Watching her from afar is a young, inexperienced squire called Valiant, and when the young Welsh princess is sent home to marry Prince Arn, Valiant contrives to accompany her masquerading as Sir Gawain. Meanwhile, the evil sorceress Morgan le Fey, sister to King Arthur, has convinced the tyrannical Sligon, ruler of the Viking kingdom of Thule, that he should steal Arthur's sword, the powerful and magical Excalibur, knowing that its loss could bring about Arthur's downfall. So into the fray comes Sligon's unstable and psychotic brother Thagnar, who manages to steal the sword. Pandemonium reigns. But Valiant is having problems of his own - kidnappers attempt to steal away the Princess, and after various skirmishes, including one with a mysterious character who lives in a cave and purloins treasure, women and other things of value, Valiant manages to return the Princess to her homeland - although he also manages to have a duel with the Princess' jealous fiancé, Prince Arn. All things converge as Valiant is finally informed of his heritage by the stranger from the cave... Boltar of Thule. He informs the lad that he is Prince Valiant, rightful heir to the kingdom of Thule, and with his help, Valiant returns to the land of his birth to rightfully claim what is his.
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Adam Kamien Luke Rynderman
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1978 年,在印第安纳波利斯的 Speedway 小镇,一家 Burger Chef 餐厅的四名年轻员工在周五夜班结束时失踪。警方初步怀疑是工作人员的小偷小摸行为。当周日他们的尸体被发现并且调查升级为多起谋杀案时,犯罪现场已被清理并重新开放。
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。 在《超/人》中,里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众,突出了超人背后的那个人——这不是一部传记,而是一幅完整的肖像,涵盖了里夫人生旅途中的辉煌和黑暗。